Propositions
Op. 61
Solo Harmonica & Strings 14'
Commissioned by the
Academy of St. Martin-in-the-Fields.
First performed Tommy Reilly and the Academy of St. Martin-in-the-Fields
at the Wigmore Hall, London in May 1987
Also: Solo Violin Version
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Paul Patterson’s fortieth birthday was
celebrated in 1987 with two full-length London concerts – an unusual
accolade at such an early stage in a composer’s career, but one which
reflects the esteem in which he is held by, already, a whole generation
of his students at the Royal Academy of Music, and also his exceptional
gift for writing music which is immediately attractive to performers and
audiences alike.
Propositions
is one of the most recent additions to his already large catalogue of
works: it was first performed at the Wigmore Hall in April [1987] by
Tommy Reilly and the Academy of St Martin-in-the-Fields Chamber
Ensemble. The solo part reveals how thoroughly Patterson has
studied the limitations and possibilities of the harmonica in the hands
of a virtuoso player; the accompaniment is for a small string orchestra,
written for with equal skill. The title refers to what the
composer calls ‘suggestions and responses, and a teasing interplay
between soloist and ensemble’. The idea is pursued through a
short introduction in which the solo line sets out the main thematic
ideas of the whole work, a lively quick movement, a slow movement
accompanied by muted strings, a scherzo with pizzicato accompaniment,
and a whirlwind finale.
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